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美国女作家解析女性困境,展现文学艺术历史价值。

内容简介

本书从19世纪中期到20世纪初期的三位美国女性作家伊丽莎白·斯托达德、凯特·肖邦和伊迪丝·华顿的个人生活和文学作品分析女性被束缚而陷入困境这一文学主题。本书通过对她们的独特性和共性的研究,肯定19世纪中期到20世纪初期的美国女作家作品的文学、艺术、历史和社会价值,虽然她们的作品是针对19世纪中期到20世纪初期的美国社会,但是她们的呐喊对于21世纪的美国乃至世界依然有其不可忽视的影响力和现实意义。

目录

  • 版权信息
  • 前言
  • Chapter One Introduction
  • First Wave of Feminism
  • Second Wave of Feminism
  • Third Wave of Feminism
  • Chapter Two Female Entrapment and the Cult of Domesticity: Elizabeth Stoddard's The Morgesons
  • Ⅰ. Stoddard and the Anxiety of Female Authorship
  • Ⅱ. Multifaceted Forms of Female Entrapment in The Morgesons
  • Public Sphere (A Room of One's Own) and Entrapment
  • Private Sphere (the Female Body) and Entrapment
  • Passion and Entrapment
  • Hunger and Entrapment
  • Ⅲ. Solutions to End Female Entrapment
  • Chapter Three Female Entrapment and the Institution of Marriage: Kate Chopin's The Awakening
  • Ⅰ. Chopin and the Anxiety of Female Authorship
  • Ⅱ. Multifaceted Forms of Female Entrapment in The Awakening
  • Public Sphere (Political Context) and Entrapment
  • The Scarcity of Life Options and Entrapment
  • Entrapment and the Institution of Marriage
  • A Room of One's Own: Physical Space, Economy and Entrapment
  • Private Sphere (The Female Body) and Entrapment
  • Bodily Sensations and Entrapment
  • Female Biology and Entrapment
  • Ⅲ. Solutions to End Female Entrapment
  • Chapter Four Female Entrapment and Financial Difficulties: Edith Wharton's Summer
  • Ⅰ. Wharton and the Anxiety of Female Authorship
  • Ⅱ. Multifaceted Forms of Female Entrapment in Summer
  • A Room of One's Own
  • The Male Gaze: Imbalance of Power and Entrapment
  • The Private Sphere (the Female Body) and Entrapment
  • Ⅲ. Solutions to End Female Entrapment
  • Conclusion
  • Works Cited
  • 后记
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出版方

南京大学出版社

南京大学出版社是南京大学主办的综合性大学出版机构,自1984年成立之日起,就秉承“学术立社、品牌兴社”的出版理念, “昌明国粹、融化新知”的出版宗旨,坚持以精品出版为“魂”、学术出版为“本”的经营思路,形成了自身在高品位学术专著、高校精品教材、传统思想文化出版、国外学术名著译介等方面的出版特色,是中国传统思想文化出版高地,中华民国史出版重镇,国外学术前沿重要译介平台。迄今出版的万余种图书中,多种图书获得了包括中国出版政府奖、中华优秀出版物奖等在内的各类图书奖项。