历史 类型
可以朗读 语音朗读
558千字 字数
2018-09-01 发行日期
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18世纪英国:帝国兴起、印刷文化浸入、多种文类与现代个体社会形式出现。

内容简介

英国漫长的18世纪（约1689-1850年，欧美近年英国文学研究惯常历史划分法）见证了帝国的兴起、印刷文化浸入日常社会生活、多种近代写作文类（美学、道德哲学、浪漫主义诗歌、政治经济学等）和近代个体社会形式的出现等。本书以四个人物为对象、兼顾不同文类、以情感美学和文本文化之间的关系为主线，讨论印刷和文本文化兴起背景中的近代感觉感官的形成和发展，勾勒出一幅西方现代性语境中的内在主体性历史轮廓。

目录

  • 版权信息
  • Preface
  • Acknowledgements
  • Chapter I Sentiment and Its Inward Turn around the 1740s
  • I.i. Terminology of Emotion, and Writing as Medium in the Formation of a Metaphysical Selfhood
  • I.ii. Etymological History of Sentiment and Its Inward Turn in the Eighteenth Century as a Discourse of Sensibility
  • I.iii. Sentimentality, and Its Relevance with the Rise of Visuality Discourse in the Epistemological Shift
  • I.iv. Sympathy as Moral Sentiment, Interiority, and Exchange of Things (and Personae)
  • Chapter II Rhetoric and the Rise of Modern Aesthetics: Emotions in Edmund Burke’s Philosophical Inquiry
  • II.i. Sympathy, Description and Its Sounding Economy
  • II.ii. Rhetoric, History and French Revolution
  • II.iii. Body Economy of Sentiment and Somatic Aesthetics of Theatricality
  • II.iv. Sentiment, Immediacy, and Ekphrasis
  • II.v. Print, Communication of Feelings, and Reformulation of Sympathy
  • II.vi. Tradition, Class, and Sympathy of the Other
  • II.vii. Empiricism, Physiological Effect of Sensibility, and Antipictorial Narration
  • II.vii. Emotional Immediacy: Its Fate
  • Chapter III Practicing Passions: David Hume and His Philosophy in Writing
  • III.i. Sympathy, History and Writing
  • III.ii. Theatrical Presence in Print Medium and Masculinity in Media Modernity
  • III.iii. Personal History of Writing in a Grammatical Issue of Identity of the Enlightenment
  • III.iv. Causation in Print Medium as Empirical Philosophy
  • III.v. Affective Property and Literary Copyright in Print Virtualization
  • Chapter IV Poetic Mediality and Feminine Sentiments in William Wordsworth’s Early Poems: Gender, Modern Literature, and Textual Mediation
  • IV.i. Man of Feeling and Romanticism in a History of Mediation
  • IV.ii. Sensibility as Gendered, Authenticity, and the Scriptural System
  • IV.iii. Political Economy of Romantic Literary Labor in Media History
  • IV.iv. Sympathetic Life in Things, Silence and the Sublime
  • IV.v. Nurturing Economy of Feelings, and Phobia of Feelings in Work of Writing
  • IV.vi. Conclusion
  • Chapter V Theatricality of Moral Sentiments,Institutions of Sympathy, and Adam Smith:Empire and the Coming of the Unconscious
  • V.i. Adam Smith Problem, His System-Building and the Impossible of the Chinese
  • V.ii. Visuality in a Distended Selfhood
  • V.iii. Sentimental Labor and Sympathetic Communication
  • V.iv. Property and Propriety in Making Inferiority
  • V.v. Sentimental Humanity and a Stadial European History
  • Coda
  • Chapter VI Specters of Crowds in Late Qing Print Culture:Nationalism, Subjectivity and the Rise of Modern Chinese Textual Media
  • Coda
  • Bibliography
  • 后记
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出版方

浙江大学出版社

浙江大学出版社创立于1984年5月，是教育部主管、浙江大学主办的国家一级出版社，承浙大几代学人“求是”“创新”精神，为一个拥有图书、期刊、电子、音像和数字等各类出版资质，出版范围涵盖理工农医和人文社科等多个学科领域，年出版新书1500种以上的综合性出版企业。