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主编推荐语

本书是以英文撰写的一部研究香港当代电影公司的专题学术著作。

内容简介

本书对当代香港电影制片公司银河映像自1996年成立至今的创办历程、所有权结构、股权结构、团队结构及文化、制片及营销策略等问题进行全面剖析,从电影机构视角出发审视当代香港电影与电影产业的面貌与变迁。

同时从全球电影评论、国际电影节及国际电影发行等跨文化平台切入,对银河映像品牌形象在海外的建构与演变做梳理与分析,探讨华语电影及其电影产业文化的全球传播路径与模式。

目录

  • 版权信息
  • Acknowledgements
  • Introduction
  • Chapter 1 The Film Production Company
  • Hollywood studios and industry analysis
  • Media industry studies and the independent production company
  • Hong Kong film companies: Past and present
  • Conclusion
  • Chapter 2 Hong Kong Film Industry in Transition
  • Industry in crisis
  • Production companies in transformation
  • Conclusion
  • Chapter 3 Bringing the Old into the New:Formation and Development of Milkyway
  • Milkyway as a business entity
  • Milkyway as a creative team
  • Conclusion
  • Chapter 4 From Hong Kong to the Mainland:Milkyway's Production and Business Practices
  • Establishing a brand for the Hong Kong audience
  • Expanding into the Mainland market
  • Conclusion
  • Chapter 5 Shaping Hong Kong Cinema's New Icon:Milkyway Image at International Film Festivals
  • Debut: specialised film festivals
  • Breakthrough: Cannes, Berlin, Venice and Toronto
  • Beyond and after major festivals
  • Conclusion
  • Chapter 6 Defining Hong Kong Cinema through Distribution:Milkyway Films in the United States
  • The 'return' of Hong Kong film
  • The 'disappearance' of the Hong Kong identity
  • The Mainland connection
  • Conclusion
  • Chapter 7 Building a Hong Kong Studio Brand:Milkyway's Changing Image in Overseas Critical Reception
  • Milkyway as an invisible factory
  • Milkyway as a period in Johnnie To's career
  • Milkyway as a house style and a brand per se
  • Conclusion
  • Conclusion
  • Bibliography
  • Milkyway Filmography
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出版方

浙江大学出版社

浙江大学出版社创立于1984年5月,是教育部主管、浙江大学主办的国家一级出版社,承浙大几代学人“求是”“创新”精神,为一个拥有图书、期刊、电子、音像和数字等各类出版资质,出版范围涵盖理工农医和人文社科等多个学科领域,年出版新书1500种以上的综合性出版企业。